![]() From the perspective of 2012, gel and metal buttons seem a topic that has strayed from the mid-1990s. I might also criticize the contents of the Web Design section. There is an entire sub-culture out there dedicated to filters, and at the very least a few links could be given to give readers a place to start exploring. In fact, the only major topic that I was able to detect that was not covered was GIMP's extensions and where to find them. The rest of the book, too, manages the difficult task of being both comprehensive and concise. The introduction is particularly worth reading and is likely to have tidbit or two of useful information and even if you believe that you are already familiar with what GIMP has to offer. This structure generally does a good job of covering what GIMP can do in less than three hundred pages. The last chapter, Creative Inspirations, is a series of assorted projects that highlight techniques that don't fit elsewhere in the book, and involve a series of longer steps than most of the other tutorials. Most of the rest of the book is a series of tutorials, each highlighting a few basic editing techniques, and divided into the categories of Web Design, Advertising and Special Effects, and Type Effects. The Artist's Guide begins with a seventy page introduction to GIMP that summarizes its basic tools, ending with a few notes on how to use a digital camera with GIMP. The result is a layout that is both quietly stylish and functional, to say nothing of highly suitable for the subject. Its landscape-oriented pages are each divided into two columns, with a ragged right alignment, and vary largely in exactly where the screen shot is placed in each column. Its publisher, No Starch Press, as its name implies, is known for rudimentary covers, but The Artist's Guide more than meets expectations. GIMP is a graphics application (although admittedly not for text), so a book on it requires a certain level of typography for credibility. Hammel's The Artist's Guide to GIMP, now in its second edition and covering GIMP 2.8, is a thorough place to start, even though it is not altogether free of the organizing problems that covering such a large topic. But those who might wonder how to get more from GIMP, Michael J. The average free software user opens it to resize a photo or to convert to a different graphics format, exactly as they might keep a Porsche around for trips to the corner store. GIMP is part of the standard installation of most distributions. ![]()
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